Where is editing timebase in fcp




















Refresh this page. Best Apple Motion Features. Full version crashes Author enno My Author Ben Balser My Author nobbystylus FCP Trial vs. Full version crashes Author enno Which drone video settings should I choose for my Mac? Author joema Export problem. Author Carambano My Page: 1. RachelClark Topic Author Visitor. So it's a question of curiosity, and also if there might be some workaround. Otherwise, I'll have to start the edit again.

What format are we talking about here? And sequence settings? I have seen gaps appear between occasional shots, but not clips messing up.

If I'm not mistaken, the lead editor was told that the best way for issues from this combination to be resolved is to make the sequences We have been told to deliver in It has been my past experience and his, that when you copy and paste clips from a timeline into a new timeline with a different timebase, the content of the clips goes haywire - not just an appearance of gaps.

Even the assistant editor's temp VO audio track is playing wrong parts of his VO! You are mixing This is not how you do it. Edit in a Convert the FCP will make it look odd. Then, when you output this Every frame will be doubled, that's all. I will forward this to the lead editor and assistant. I've only been on this show for a day, so I'm not familiar with what discussions and reasonings have gone into this previously.

I don't know how often I have had to fix other people's messes. And this one will become a BIG one if they insist on a Creating unnecessary work, spending money needlessly User profile for user: Astrojam Astrojam. If I get more info, I'll let you know. SO first we need to know, is the final output to be p And they are idiots for not knowing this!

No, not really. It's too darn confusing In a previous, very similar project, when the online house was given the Now you'll choose a compressor for your video.

As you can see from the compression window, there are many compressors to choose from. This is because a compressor determines how to translate your video project for playback.

Some compressors generate larger video files than others. When choosing a compressor, it's good to work backward from where your video is going to show up. If you plan on posting it to YouTube, choose h. Select your audio settings. For both the sample rate and the bit depth, the higher the number the better the quality.

Both of these settings should match the audio files in your project. The configuration option is most important if you are going to be mastering the audio outside of FCP. Stereo downmix will make all of your audio tracks into one stereo track, which then becomes part of your exported Quicktime file. This option is fine if you're using FCP for fine-tuning audio. Discrete Channels makes the most accurate copy of your audio tracks so that you have the greatest flexibility when mastering your audio.

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